Andriy Siguntsov is a Ukrainian artist and curator. Since 2010, he has collaborated with Mystetskyi Arsenal, Ivan Honchar Museum, Kyiv History Museum, Kyiv National Gallery, Brave Factory Festival, and Lavra Gallery. In 2017-2018, he was the programme director of the international festival Kyiv Art Week, co-curator of the EarthMate Ecology Festival (2020) and the Festival of Contemporary Culture “On Time” (2022-2023). He has organised and participated in projects in France, Italy, Germany, Lithuania and other European countries. Currently, he is working as a curator at the Museum of Contemporary Art in Odesa and is engaged in independent artistic and curatorial practice.
AntiGonna is an independent filmmaker, artist and actress. She explores the issues of sexual fears, perversions and taboos, violence and death. She works in the genres of video art, music video, virtual reality and photography. Since March 2022, he has been based in Paris.
Katia Kopeykina is an artist who was born in Donetsk and later moved to Kharkiv, then to Odesa, then to Kyiv, where she started tattooing and painting. In 2020, she joined the Tsap-Tsarap collective led by Slava Kononov, which was rethinking contemporary tattooing, philosophy and art. She is currently at the artistic residency “How Dare You” in Milan.
Aliona Tokovenko is an artist born in Odesa who works with such media as painting, installation, graphics, video and fashion design. She has worked with the themes of violence and trauma. After the full-scale invasion, it seemed to Tokovenko that all the horrors expressed in her work began to come true. Because of this, the artist thought she would no longer be able to paint her bloody pictures, until she realised how important this topic is today.
Olena Dombrovska is an artist who was born in Odesa, studied at the M. Grekov Art School and the National Academy of Arts, majoring in painting. Since 2009, she has been actively participating in exhibitions and projects in Ukraine and abroad. Her works are a play of light and reflexes in the environment in which the work and the viewer interact, as well as reflections on the possibilities of the aesthetic influence of the primordial element of language – the line.