The body. Always the body. Even when we speak of the soul — we speak of the body. Even when we speak of war — we mean the tragedy of the body. Even when we speak of love — we touch the body. The body is the place where everything happens. In the work of Krytsyna Melnyk, there is no such thing as a “safe” body. They are scratched, torn, turned inside out. And at the same time — they are imbued with intimacy, fragility, light. They are naked — not only physically, but inwardly. And it is precisely this vulnerable nakedness that evokes not fear, not pity, but tenderness. Krytsyna works in the technique of levkas — a material that for centuries was the basis for icons. But instead of the divine, she shows the human. And therein lies the essence: the human itself is sacred. Her works are a confession. And this confession leads us to three inexhaustible themes. Three themes that have always been, and remain, with humanity. Human. War. Eroticism. The Human — as one who constantly searches for oneself. Through pain, through memory, through image. A human endlessly telling their story — in words, in looks, in touch. War — not only as tragedy, but as a state humanity cannot abandon. It returns — each time different, but just as cruel. War as a historical constant, as an expression of eternal fear and eternal aggression. Eroticism — as an unrestrained striving for closeness, for life, for union. Eroticism not as adornment, but as nerve. As the pulse in all living things. That is why this exhibition is not only personal. It is a meeting. A dialogue across time, genres, styles. Alongside Melnyk’s works appear pieces by other artists — from classics to contemporaries, from painting to photography. Their presence is not accidental. Their experience is not background. These artists, each in their own way, also pose the same questions. They too touch on the themes of corporeality, trauma, desire. Their images expand the context, amplify the vectors, create polyphony. They remind us: what the artists speak of is not new. And yet — it never loses its power. “That Which Holds Silence Within” is not an answer. It is a living, emotional presence. An experience in which unfamiliar bodies become close, and eternal themes — not abstract, but pulsating.
Curatorial Team Anna Morokhovska
You can visit the exhibition:
from September 5 to November 30, according to the Museum’s opening hours: